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Descripción

This article examines the rhetoric of Mexican-American hip hop through the analysis of the music by the multicultural hip hop fusion band, Ozomatli, from Los Angeles. The objective is to examine how Ozomatli performs linguistic, epistemic, and musical-rhetorical border crossing that provokes cultural and social consciousness. As a cross-cultural site of analysis, Ozomatli embodies cultural mestizaje, mestiza consciousness, and mestiz@ rhetoric that illuminates social justice issues beneath surface-level beats and rhythms. Appointed cultural ambassadors by the U.S. government, Ozomatli navigates dominant systems of power while performing music that contests hegemony. Their mestiz@ hip hop draws from diverse musical traditions like banda, cumbia, merengue, ranchera and others while addressing transnational social justice issues of immigration, inequality, and revolution.

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Autor(es)

Medína, Cruz - 

Id.: 58490379

Idioma: inglés (Estados Unidos)  - 

Versión: 1.0

Estado: Final

Tipo de recurso: Article  - 

Tipo de Interactividad: Expositivo

Nivel de Interactividad: muy bajo

Audiencia: Estudiante  -  Profesor  -  Autor  - 

Estructura: Atomic

Coste: no

Copyright: sí

Requerimientos técnicos:  Browser: Any - 

Fecha de contribución: 01-ene-2016

Contacto:

Localización:
* alter/nativas, latin american cultural studies journal, no. 2 (Spring 2014)
* 2168-8451 (online)

Otros recursos de la mismacolección

  1. Introduction: Locating Hip Hop's Place within Latin American Cultural Studies
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  3. Hip-hop Mapuche on the Araucanian Frontera This article analyzes musical activism in Araucanía, a centuries-old frontera (borderland), where ph...
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  5. Pop Speculation: Tracing Geography, Investment, and Identity in São Paulo's Hip Hop and Open Mic Scenes This article addresses the relationship between spatial affinities and socio-­‐ economic capital inv...

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