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Library of Congress Open Archive Initiative Repository 1 (114,556 recursos)
This is an extensive repository containing material relating to the American experience, a large portion of it digitised from the Library of Congress' collections. It includes, but is not limited to, images, monographs, sheet music, sound and visual recordings, pamphlets and posters. It is subdivided into over 100 thematic collections based on original documentation format, subject, author or donor. The site also benefits from an extensive range of background documentation and information on the creation, maintenance and development of this repository. Individual sections of the collection are periodically highlighted, and materials advising on the use of this repository's contents in a classroom situation are also provided. Each major subsection has a discrete site design and interface, although they are all part of the overarching whole.

Mostrando recursos 121 - 140 de 4,205

121. Emprunt National 1920 - Compagnie Algérienne - Villain, Henri, artist.
Foreground, Algerian men with a flock of sheep on a pier watching men load a boat with goods.

122. 2éme Emprunt de la Défense Nationale. Souscrivez, aidez-nous á vaincre, vous hâterez le jour de la victoire et du retour au foyer - Hansi, 1873-1951, artist.
A soldier sitting on a grassy embankment. In the background is a scene of his village with children and wounded or old soldiers.

123. Emprunt de la Libération. On souscrit á la Banque d'Alsace et de Lorraine. Entrée des Français á Strasbourg - Hansi, 1873-1951, artist.
The French army entering the city of Strasbourg. The Strasbourg Cathedral is to the left in the background. Strasbourg was the capital of Alsace-Lorraine. After the Franco-Prussian War Napolean III agreed to return Strasbourg to Germany in the Peace of Frankfurt of 1871. The cathedral itself had been damaged through the centuries by different wars and peoples. It was totally renovated in the late 19th century after the Franco-Prussian War and it was returned to France as part of the peace settlement along with Alsace and Lorraine.

124. Souscrivez au IVéme Emprunt et le drapeau tricolore, á Strasbourg, annonçera au monde le règne de la paix, de la liberté, de la justice - Hansi, 1873-1951, artist.
Three French soldiers on a hillside in a forest overlooking Strasbourg. In the distant horizon is an enlarged Strasbourg Cathedral with a French flag hanging from it. A German observation balloon is tethered along side of it.

125. Emprunt National 1920. Société Centrale des Banques de Province - Wielhorski, artist.
Depicts a burning city and cathedral. Framing this scene are coats of arms of French cities.

126. Banque de l'Union Parisienne. Pour que la France soit victorieuse comme à Valmy! Pour la libération du territoire! Souscrivez tous au 4e Emprunt National - Willette, Adolphe, artist.
French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians.

127. Compagnie des Notaires de Paris et du Département de la Seine. Hâtez la victoire en souscrivant á l'Emprunt de la Défense Nationale - Willette, Adolphe, artist.
Depicts columns and a pediment in classical style. In the center is a medallion of Victory on horseback.

128. Compagnie des Notaires de Paris & du Département de la Seine. Français! Souscrivez tous au 4éme Emprunt de la Défense Nationale - Willette, Adolphe, artist.
Small medallion of a classical Victory figure with sword and horse behind her.

129. Le Cercle National du Soldat - Chavannaz, artist.
Two soldiers at a table, one is seated and reading a paper.

130. Ligue Maritime française pour le développement de la marine militaire et de la marine marchande reconnue comme établissement d'utilité publique - Fouqueray, Charles, 1869-1956, artist.
Sailors working on a ship in dock.

131. Préparation de la jeunesse française au service militaire - Malherbe, William, d. 1951, artist.
A French boy holding a French flag. In background French soldiers are marching.

132. Merci! - Sabattier, Louis Rémy, artist.
A female allegory of France, wearing a Phrygian cap and kissing a poilu on the cheek.

133. Armée de Terre et Armée de Mer. Ordre de Mobilisation Générale
Broadside.

134. Aux femmes françaises. La guerre a été déchaînée par l'Allemagne malgré les efforts de la France, de la Russie, de l'Angleterre pour maintenir la paix
Broadside.

135. Le gala des marins de France . . . á la Comédie Française - Arnoux, Guy, 1886-1951, artist.
A marine and a soldier standing on land with the sea in the background.

136. Oeuvre du soldat ardennais . . . vente de charité avec matinée artistique - Bréval, Roger, artist.
Soldier in a trench looking at female apparitions in sky.

137. L'infanterie française dans la bataille - Delaspre, H., artist.
A foot soldier holding a rifle. In the background is a partial map of France. The map shows the Hindenburg Line in red ink. The poilu carried everything he needed on his back. This would weigh up to 60 pounds. He entered the war with a soft military cap and a uniform with shiny buttons. It did not take long to realize that the enemy spotted the shiny buttons and found him an easy mark. The shrapnel from artillery fire or pieces from a thrown hand-grenade penetrated his soft military cap. Acid was found to dull the shiny military uniform...

138. On ne passe pas. 1914 . . . 1918. Par deux fois j'ai tenu et vaincu sur la Marne - Neumont, Maurice, 1868-1930, artist.
A soldier standing on a battlefield wearing gas mask around his neck. Poison gas was first used in World War I. The phrase 'they shall not pass' is said to have originated with General Robert Nivelle (1856-1924) at the battle of Verdun in 1916.

139. Cercle National pour le soldat de Paris - Job, 1858-1931, artist.
Two soldiers, one wounded, beneath French flags.

140. On les aura - Toché, Charles, 1851-1916, artist.
Bust portrait of a poilu smoking a pipe.

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