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Library of Congress Open Archive Initiative Repository 1 (286,680 recursos)
This is an extensive repository containing material relating to the American experience, a large portion of it digitised from the Library of Congress' collections. It includes, but is not limited to, images, monographs, sheet music, sound and visual recordings, pamphlets and posters. It is subdivided into over 100 thematic collections based on original documentation format, subject, author or donor. The site also benefits from an extensive range of background documentation and information on the creation, maintenance and development of this repository. Individual sections of the collection are periodically highlighted, and materials advising on the use of this repository's contents in a classroom situation are also provided. Each major subsection has a discrete site design and interface, although they are all part of the overarching whole.

Mostrando recursos 161 - 180 de 209

161. Balli di ieri e balli d'oggi. - Gavina, P.; Giovannini, Fr.; Franceschini, Giovanni.
This manual utilizes line drawings, foot patterns, and photographs to describe numerous dances.

162. The danciad; or, Dancer's monitor. Being a descriptive sketch in verse, on the different styles and methods of dancing quadrilles, waltzes, country dances, &c. &c. ... Together with observations on the laws regarding dancing, with extracts from the Acts of Parliament relating thereto. - Wilson, Thomas, dancing master.
Written in verse as a dramatic play in two parts, Thomas Wilson, dancing master to the King's Theatre, comments on the state of teaching, public balls, and the character of many dance instructors.

163. Recüeil de dances contenant un tres grand nombres, des meillieures entrées de ballet de Mr. Pecour, tant pour homme que pour femmes, dont la plus grande partie ont été dancées à l'Opera. - Feuillet, Raoul-Auger, 1659 or 60-1710.; Pécourt, Guillaume Louis, 1653-1729.
This treatise includes six solo dances for women; eight for men; and seventeen duets for a man and a woman, two women, or two men, all choreographed by French dancer and choreographer, Guillaume-Louis Pecour (c.

164. Nobiltà di dame del sr. Fabritio Caroso da Sermoneta, libro, altra volta, chiamato Il ballarino. Nuouamente dal proprio auttore corretto, ampliato di nuoui balli, di belle regole, & alla perfetta theorica ridotto: con le creanze necessarie à caualieri, e dame. Aggiontoui il basso, & il soprano della musica: & con l'intauolatura del liuto à ciascun ballo. Ornato di vaghe & bellissime figure in rame ... - Caroso, Fabritio.; Franco, Giacomo, 1550-1620.
In this significant manual detailing late-Renaissance Italian court dance, dancing master Caroso redefines and, in some cases, corrects information found in his first treatise, Il ballarino (1581).

165. How to dance the revived ancient dances. - Holt, Ardern.
Holt begins his discussion with a history of "chorography" and the work of famed eighteenth-century dancing masters and choreographers Guillaume-Louis Pecour, Pierre Beauchamps, and Raoul-Auger Feuillet.

166. Leitfaden für den Tanz- & Körperbildungs-Unterricht, mit Anleitungen über den gesellschaftlichen Verkehr. 14 Tafeln mit 118 figürlichen und choregraphischen Darstellungen. - Bosshardt-Strübi, J. R.
This manual opens with a brief history of dance and continues with descriptions of feet positions, and figures for quadrilles and "La Polonaise" (also known as the grand march).

167. Social dancing of to-day, - Kinney, Troy, 1871-1938.; Kinney, Margaret West, b. 1872.; Anderson, John Murray.
This is one of the most valuable dance manuals for the study of social dance practices during the ragtime era.

168. "Esmeralda" waltz-lanciers. Arranged for the Esmeralda Club, of St. Louis, Mo. - Florence, W. W.; Esmeralda Club (Saint Louis, Mo.)
Created for the Esmeralda Club of Saint Louis, this short pamphlet consists of five figures of a waltz quadrille with a brief explanation of each figure.

169. "Tips to dancers," good manners for ballroom and dance hall, - Dewey, V. Persis
This small manual is aimed at a non-urban population and, although it contains substantial sections on etiquette and the value of good manners, the only dances mentioned by Dewey are the one step and foxtrot.

170. Public dance halls, their regulation and place in the recreation of adolescents, - Gardner, Ella, 1893-1942.; United States. Children's Bureau.
Some of the regulations undertaken by the states include restrictions on attendance, hours of operation, supervision, and regulation of the physical and social conditions of the hall.

171. The modern dance; a historical and analytical treatment of the subject; religious, social, hygienic, industrial aspects as viewed by the pulpit, the press, medical authorities, municipal authorities, social workers, etc., - Ham, M. F. b. 1877.
This is the second published edition of a sermon Ham delivered as part of an evangelistic campaign in Palestine, Texas in 1914, and his arguments are typical of this genre of antidance literature.

172. Modern dances, - Satori, Luigi, b. 1843.
With customary western bias, Sartori notes that when Christianity "supplanted Paganism, it found many objectionable practices and customs which it had to eradicate.

173. Observations sur les danses.
The argument presented by the anonymous author is based on the idea that dancing is inconsistent with teachings in the Scripture, specifically the Ten Commandments.

174. Asa Willcox's book of figures, 1793; multigraphed from a manuscript in the possession of the Newberry Library. - Willcox, Asa.; Newberry Library.
The manuscript contains one- or two-sentence descriptions of figures for thirty-eight country dances (dances that consisted of a series of figures and danced by a column of men facing a column of women).

175. Per. receüil [sic] de danses de bal pour l'année 1703. - Feuillet, Raoul-Auger, 1659 or 60-1710.; Pécourt, Guillaume Louis, 1653-1729.
Additionally, bar lines in the dance score correspond to bar lines in the music score.

176. Elements and principles of the art of dancing, as used in the polite and fashionable circles: also rules of deportment and descriptions of manners of civility, appertaining to that art: from the French of J. H. G. ... - J. H. G.
A translation of Gourdoux-Daux's Principes de la danse (Paris, 1804 and 1811), this manual is important for its description of steps and step sequences appropriate in the performance of the popular ballroom dance, the quadrille (called cotilion by the author).

177. Le répertoire des bals, ou Theorie-pratique des contredanses, décrites d'une maniere aisée avec des figures démonstratives pour les pouvoir danser facilement, auxquelles on a ajouté les airs notés. - La Cuisse, Sr. de, 18th cent.
Each dance is described on four pages: a title page that gives the name of the dance and its choreographer, a page of text describing the figure, a page showing the floor pattern of the dance, and a final page for the music.

178. An essay on dancing / - Crane, J. T. 1819-1880.
Crane takes the position that the ancients, including the Greeks and Egyptians, danced only for religious purposes.

179. Elegantní tane?ník / - Lorenzová, Anna.; Miniature Book Collection (Library of Congress)
This diminutive manual, written in Czech, contains descriptions of popular ballroom dances including the polka, mazurka, waltz, quadrille, and polonaise.

180. The Ball-room guide. With coloured plates.
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not original but borrowed from other sources.

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