Library of Congress Open Archive Initiative Repository 1
(114,502 recursos)
This is an extensive repository containing material relating to the American experience, a large portion of it digitised from the Library of Congress' collections. It includes, but is not limited to, images, monographs, sheet music, sound and visual recordings, pamphlets and posters. It is subdivided into over 100 thematic collections based on original documentation format, subject, author or donor. The site also benefits from an extensive range of background documentation and information on the creation, maintenance and development of this repository. Individual sections of the collection are periodically highlighted, and materials advising on the use of this repository's contents in a classroom situation are also provided. Each major subsection has a discrete site design and interface, although they are all part of the overarching whole.
Mostrando recursos 21 - 40 de 209
21.
Quelques mots sur les danses modernes, - Brieux Saint-Laurent, vicomte de.
This is a fourth edition of a book that acknowledges other antidance tracts including Boullay's Réforme de las danse des salons; Gustave Louis's Physiologie de l'opinion, and La Chrétienne de nos jours by l'Abbé Bautain. The author notes, with some disdain, that the waltz was introduced into France "par les impures du Directoire" (p. 8). The polka also receives criticism.
22.
Brookes on modern dancing, containing a full description of all dances, as practised in the ball room and at private parties, together with an essay on etiquette. - Brookes, L. De G.
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short discussion on the utility of dancing, followed by a section devoted to etiquette of the ballroom and how to give balls. Descriptions of dances in this manual include quadrilles, waltz, polka, polka redowa, schottisch, polka mazurka, varsovienne, and the waltz in 5/4. The book concludes with eighty-seven cotillon figures and eight pages of ballroom dance music.
23.
May Christians dance? - Brookes, James H. 1830-1897.
This is a typical example of the antidance literature that was published during the nineteenth century. Although Brookes provides a weak defense of dancing, his final conclusion is that the large assemblies, indelicate dressing, "unwarrantable freedom of intercourse between the sexes," as well as uncontrolled excitement, leads to a thorough worldliness and, ultimately, to the forgetfulness of God. The manual was reissued in the 1890s under the title The modern dance.
24.
The ball-room monitor, or, Guide to the learner; containing the most complete sets of quadrilles ever published. - Brooks, C., Professor.
Like many other nineteenth-century dance manuals, much of the material in The Ball-room monitor is not original but is borrowed from previously published sources. The manual, which would fit into a pocket, contains information on quadrilles (called cotillions by Brooks), waltz, polka redowa, and schottisch. Additionally, the manual contains numerous variety quadrilles--polka quadrilles, schottisch quadrilles, Polaca quadrilles, Varsoviana quadrilles, and a mazurka quadrille.
25.
Dance halls. Ordinances governing the conduct of public dances and dance halls, city of Buffalo. - Buffalo (N.Y.); Buffalo (N.Y.). Common Council.; Buffalo (N.Y.). City Clerk's Office.
Issued from the Buffalo, New York, City Clerk's office on 14 December 1914, the ordinance defines requirements for a public dance hall, including license fees, security, alcohol prohibitions, and hours of operation.
26.
Prima, e seconda memoria per servire alla istoria del ballo degli antichi, - Burette, M. 1665-1747.
In this history of dance, Burette (1665-1747) presents an extensive discussion on Greek and Roman dance, basing his information on literary references such as the Iliad and authors such as Lucian. Included in the discussion are tragic and serious ballet, satire, and pantomime. While this text illuminates the importance of Greek and Roman influence on the arts of the mid-eighteenth century, modern dance scholars will find many interpretive and factual errors.
27.
Masquerades, tableaux and drills. - Butterick Publishing Company.
This manual provides step-by-step instructions, augmented by numerous illustrations, for giving masquerades, conducting tableaux, and creating "fancy drills." Costumes, hair styles, and accessories are included for Calico and Martha Washington balls, Joan of Arc, a football player, Beau Brummel, and a shepherdess. Additionally, the manual provides suggestions for tableaux scenes and living pictures ("pose plastique").
28.
La danse ancienne et moderne, ou Traité historique de la danse. - Cahusac, Louis de, 1706-1759.
This three-volume work on dance history describes dance from its origins through the court fêtes of Louis XIV. Volume one stresses the importance of studying the theories of all the arts and covers the dance history of numerous ancient civilizations including Greek, Roman, Turkish, and Egyptian. Volume two describes the renaissance of the arts and the origins of ballet to 1610. Volume three focuses on dance in the court of Henri IV and the establishment of French opera. Cahusac borrows heavily from other writers, especially Philippe Quinault. Although by twentieth-century scholastic standards, Cahusac's interpretations may be problematic, the work formed...
30.
A treatise on the theory and practice of dancing, with an appropriate poem, in two cantos, and plates illustrative of the art. - Cassidy, James P.
The first section of this manual is devoted to a history of dance with emphasis on Greek and Roman practices. However, much of this section is borrowed liberally from the writings of late eighteenth-century authors, and, while it illuminates the importance of Greek and Roman influence on the arts of the era, modern dance scholars will find many interpretive and factual errors. Book two is a discourse on what Cassidy considers the practical aspects of dance: steps, music, and deportment. There is also discussion on the minuet, reel, and country dances.
31.
The drawing-room dances. - Cellarius, Henri.
A translation of La danse des salons (1847), this manual provides important information on mid-nineteenth-century ballroom dance. Following a format utilized by many manuals, the work begins with introductory comments on dance, followed by a description of the French quadrille. This is followed by discussion of round dances--the polka, numerous waltzes including waltze à trois temps, and waltze à deux temps--as well as steps and figures for another type of quadrille known as the mazurka quadrille. The manual contains eighty-three figures for a series of dance games, called the cotillon (also known as the German or German cotillon). The manual...
32.
La danse des salons / - Cellarius, Henri.; John Davis Batchelder Collection (Library of Congress)
Originally published in 1847, the manual provides important information on mid-nineteenth-century ballroom dance. Following a format utilized by many manuals, the work begins with introductory comments on dance, followed by a description of the French quadrille. This is folllowed by discussion of round dances--the polka, numerous waltzes including waltze à trois temps and waltze à deux temps--as well as steps and figures for another type of quadrille known as the mazurka quadrille. The manual contains eighty-three figures for a series of dance games, called the cotillon (also known as the German or German cotillon). Nine full-page prints by Gavarini enhance...
33.
La danse. Comment on dansait, comment on danse. - Charbonnel, Raoul.; Bernay, Berthe.; Casadesus, Francis, 1870-1954.; Maugué, Jules.
This manual is an extensive history of dance that incorporates many countries, cultures, and periods including Chinese, Hindu, Egyptian, Greek, ancient Gaul, European Renaissance, and Baroque. The manual also covers popular culture, peasant dance, and "foreign dance." The perspective of this manual is clearly nineteenth century, with little emphasis on historical fact. The point of view is clearly western, and this is evident in the music examples that accompany almost every country or culture's entry--all have been subjected to western notation and are arranged in late nineteenth-century grand musical style. Additionally, the text includes numerous illustrations and, no matter the...
34.
15e.[-30e.] recueil des contre-danses et walzes / - Clarchies, Louis Julien, 1769-1814.
By the end of the eighteenth century, publishers were regularly offering collections of music appropriate for dancing contredanses, quadrilles, and waltzes. This large collection contains music for waltzes and sets of contredanses, scored for two treble instruments.
35.
Clendenen's treatise on elementary and classical dancing ... - Clendenen, F. Leslie b. 1864.
Dancing master Clendenen's book is meant for teachers of dance and covers the basic building blocks of teaching beginning with the positions of the feet and body. Technical terms (with correct pronunciation), preparatory exercises, bows, and curtseys are included as well as sections on attitudes and poses, and correct and incorrect positions. The manual concludes with instructions on how to teach ten fancy dances that include "Highland Fling," "Sailor's Hornpipe," "Twentieth-Century Skirt Dance," and "La Manola." The manual is illustrated with photographs of students.
36.
The art of dancing; its theory and practice, - Clendenen, F. Leslie b. 1864.
This manual is a good example of the emphasis placed on physical fitness during the early twentieth century and, dancing master Clendenen notes, "we have just won the greatest war known in history ... by efficiency, and physical excellence." The manual encourages teachers to instruct children "correct dancing and health movements." Clendenen describes a wide panorama of movement including pantomime and dramatic posture dances, Greek dancing, Hawaiian arm and Italian body exercises, rhythmic dancing, toe dancing, as well as nature and health exercises. The book also includes steps and choreographies for novelty dances such as "Russian Slavic Dance," "Dance of...
37.
Dancing at home and abroad. - Cleveland, C. H., Jr.
Cleveland's manual opens with an interesting account of the building blocks required for setting up a successful private dancing academy. He includes discussion on the architectural requirements, music, progress of students, hours and division of classes, dealing with children, and how to manage balls. The second part of the manual covers "fashionable dances," and the author describes quadrilles, the "Boston Waltz," and twenty-nine figures for the German (also known as cotillon), a group dance comprised of a series of party games.
38.
Dancing made easy, - Coll, Charles J.; Rosiere, Gabrielle, joint author.
This is an expanded version of Coll's book that was originally published c. 1919. Beginning with an account of dance history ranging from the ancient Greeks to late nineteenth-century dance, Coll declares that some of "most up to the minute dances" include the Carter Waltz and the Schottisch Espagnole. The author also discusses foxtrot variations and the Virginia Reel, and provides some cotillon figures (also known as the German). The dances described by Coll were long out of fashion by 1922.
39.
Coulon's hand-book; containing all the last new and fashionable dances ... - Coulon, b. 1808.
This third edition of Coulon's manual describes dances popular during the 1840s. Typical of many nineteenth-century ballroom manuals, much of the material is borrowed from other contemporary sources. It is not known whether or not famed French dancing master Eugène Coulon contributed to the work. Small enough to fit into a pocket, the manual begins with a discussion of the polka and includes directions for various ballroom dances including the mazurka quadrille, polka mazurka, schottisch, "La Cellarius," gorlitza, various quadrilles and other group dances such as "La Tempète" and "Sir Roger de Coverley." The manual concludes with directions for the...
40.
Handbook of ball-room dancing, - Cree, Aubrey McMahon.
This manual is designed as a self-teacher for those who cannot or, according to the author, are unwilling to attend dance classes. Additionally, Cree declares the most popular dances to be the Lame Duck Valse, valse, one step, foxtrot, and lancers. Although he includes instructions for a Three Step or Straight Jazz, and a Tango Valse, the manual does not reflect dances that were being performed during the late teens.
21.
