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Library of Congress Open Archive Initiative Repository 1 (286,201 recursos)
This is an extensive repository containing material relating to the American experience, a large portion of it digitised from the Library of Congress' collections. It includes, but is not limited to, images, monographs, sheet music, sound and visual recordings, pamphlets and posters. It is subdivided into over 100 thematic collections based on original documentation format, subject, author or donor. The site also benefits from an extensive range of background documentation and information on the creation, maintenance and development of this repository. Individual sections of the collection are periodically highlighted, and materials advising on the use of this repository's contents in a classroom situation are also provided. Each major subsection has a discrete site design and interface, although they are all part of the overarching whole.

Mostrando recursos 41 - 60 de 209

41. Geschichte der Tanzkunst bei den cultivirten Völkern von den ersten Anfängen bis auf die gegenwärtige Zeit. - Czerwinski, Albert.
In this vast history of dance, Czerwinski discusses the origins of dance with Greek and Roman examples and continues with a description of the dances in many countries including Spain, France, Germany, England, Scotland, Sweden, Holland, Poland, Japan, and Turkey.

42. An account of the trial of social dance. - Davis, George, Rev.
In this manual, Davis takes a novel approach in preaching his antidance position, which he calls "The Trial of Social Dance .

43. The prompter: containing full descriptions of all the quadrilles, figures of the German cotillon, etc. Designed for the assistance of the pupils of Wm. B. De Garmo ... - De Garmo, Wm. B.
The treatise opens with a brief discussion of etiquette and continues with figures for quadrilles.

44. Traité de la danse, contenant la théorie et l'histoire des danses anciennes et modernes. Avec toutes les figures les plus nouvelles du cotillon. - Desrat, G.
Desrat begins his work with a description of dances that were still in vogue at the turn of the century: Boston waltz, cake walk, Berlin, pas de patineurs, and Washington-Post (a two step).

45. The dance, ancient and modern / - Moore, Arabella E. (Arabella Elizabeth)
The work borrows heavily from previously published materials for sections on primitive and ancient dances.

46. The modern dance and what shall take its place. - Drumm, Melvin C.
This manual consists of a sermon presented at Saint Luke's Lutheran Church, on 13 February 1921 in Centre Hall, Pennsylvania.

47. Trattato del ballo nobile, - Dufort, Giovanni Battista.
Part one of this text consists of thirty-four chapters devoted to instructions for steps required in Italian Baroque dance including pirola (pirouette), sfuggito (echappé), passo unite (assemblé), and cadente (tombé).

48. La danse et la gymnastique, - Duncan, Raymond, 1874-1966.
Originally an address given by the brother of famed dancer, Isadora Duncan, at a conference in May 1914 at the Université Hellenique, Duncan discusses the renaissance and importance of gymnastics and the systems of physical culture based on Greek models.

49. The fashionable dancer's casket; or, The ball-room instructor. A new and splendid work on dancing, etiquette, deportment, and the toilet. - Durang, Charles.
He acknowledges that the dances contained in the book are by the "celebrated teachers of Paris and London." Additionally, the sections on etiquette, deportment, and dress stem from "Mrs.

50. Prompter's pocket instruction book. - Elmwell, L. H.
This manual is devoted entirely to the art of calling figures for the quadrille.

51. The lure of the dance, - Faulkner, Thomas A.
This is the second antidance treatise published by ex-dancing master Faulkner, which he suggests was needed "because the dance craze has developed with such incredible rapidity." This book consists of large sections taken from his earlier book, From the ballroom to hell.

52. Erweiterung der Kunst nach der Chorographie zu tanzen, Tänze zu erfinden, und aufzusetzen; wie auch Anweisung zu verschiedenen National-Tänzen; als zu Englischen, Deutschen, Schwäbischen, Pohlnischen, Hannak- Masur- Kosak- und Hungarischen; mit Kupfern; nebst einer Anzahl Englischer Tänze. - Feldtenstein, C. J. von.
The work includes figures for country dances and quadrilles, and a variety of national dances as well as figures and music for four contredanses.

53. The art of dancing, historically illustrated. To which is added a few hints on etiquette; also, the figures, music, and necessary instruction for the performance of the most modern and approved dances, as executed at the private academies of the author. - Ferrero, Edward, 1831-1899.
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, it remains an important source for the study of mid-nineteenth-century ballroom dance.

54. Histoire anecdotique et pittoresque de la danse chez les peuples anciens et modernes ... - Fertiault, F. 1814-1915.
Large portions of this manual on the history of dance are borrowed from other sources including Mme Élise Voiart's Essai sur la danse (1823).

55. For the furthur improvement of dancing, A treatis of chorography or ye art of dancing country dances after a new character : in which the figures, steps & manner of performing are describ'd, & ye rules demonstrated in an easie method adapted to the meanest capacity / - Feuillet, Raoul-Auger, 1659 or 60-1710.; Essex, John.
This is a translation of Raoul-Auger Feuillet's treatise Recueil de contredances mises .

56. Recüeil de contredances mises en chorégraphie, d'une maniére si aisée, que toutes personnes peuvent facilement les apprendre, sans le secours d'aucun maître et même sans avoir en aucune connoissance de la chorégraphie. - Feuillet, Raoul-Auger, 1659 or 60-1710.
This is the first manual to be published in France that describes English country dances.

57. Chorégraphie, ou L'art de décrire la dance par caracteres, figures et signes desmonstratifs, avec lesquels on apprend facilement de soy même toutes sortes de dances. - Feuillet, Raoul-Auger, 1659 or 60-1710.; Dezais, Jacques, fl. 1680-1722, joint author.
Originally published in 1700, this manual details a dance notation system that indicates the placement of the feet and six basic leg movements: plié, releveé, sauté, cabriole, tombé, and glissé.

58. Recueil de dances, - Feuillet, Raoul-Auger, 1659 or 60-1710.
With his Chorégraphie, ou L'art de décrire la dance par caractères .

59. Orchesography; or, The art of dancing by characters and demonstrative figures. Wherein the whole art is explain'd; with compleat tables of all steps us'd in dancing, and rules for the motions of the arms, &c. Whereby any person (who understands dancing) may of himself learn all manner of dances. - Feuillet, Raoul-Auger, 1659 or 60-1710.; Weaver, John, 1673-1760.; Isaac, Mr.
The manual details a dance notation system that indicates placement of the feet and basic leg movements.

60. The scholars companion : containing a choice collection of cotillons & country-dances / - Fraisier, M. J. C.; American Imprint Collection (Library of Congress)
Although the title of this manual would indicate a collection of cotillons (figure dances usually performed by four couples), the dances are, in fact, English country dances, performed by a column of men facing a column of women.

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