Library of Congress Open Archive Initiative Repository 1
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This is an extensive repository containing material relating to the American experience, a large portion of it digitised from the Library of Congress' collections. It includes, but is not limited to, images, monographs, sheet music, sound and visual recordings, pamphlets and posters. It is subdivided into over 100 thematic collections based on original documentation format, subject, author or donor. The site also benefits from an extensive range of background documentation and information on the creation, maintenance and development of this repository. Individual sections of the collection are periodically highlighted, and materials advising on the use of this repository's contents in a classroom situation are also provided. Each major subsection has a discrete site design and interface, although they are all part of the overarching whole.
123.
Whig bazaar - Clay, Edward Williams, 1799-1857.; Robinson, Henry R., d. 1850.
Publd. by H.R. Robinson, 52 Cortlandt St. N-York. Entered according to Act of Congress, in the year 1837 by H.R. Robinson, in the Clerks Office of the District Court of the United States, for the Southern District of New York.
124.
The "rail splitter" at work repairing the union - Baker, Joseph E., ca. 1837-1914.
Cartoon print shows Vice President Andrew Johnson sitting atop a globe, attempting to stitch together the map of the United States with needle and thread. Abraham Lincoln stands, right, using a split rail to position the globe. Johnson warns, "Take it quietly Uncle Abe and I will draw it closwer than ever." While Lincoln commends him, "A few more stitches Andy and the good old Union will be mended."
125.
The mountain in labor - Clay, Edward Williams, 1799-1857.; Robinson, Henry R., d. 1850.
The artist employs Aesop's fable about the mountain which was said to be in labor, its dreadful groans attracting expectant crowds only to be disappointed when it issued forth a small mouse. Here the mountain is the "Volcano of Loco-Focoism" which spews "Repudiation" from its peak and sends out two mice, Martin Van Buren and John C. Calhoun, from its base. "Loco Foco," originally an appellation of a radical faction of New York Democrats, was by 1844 a pejorative label applied to the party in general. In "The Mountain in Labor" the artist seems to belittle Van Buren and Calhoun,...
126.
Inklings of travel, up Salt River - Baillie, James S., fl. 1838-1855.; Bucholzer, H.
A broad satire, ridiculing all of the candidates in the 1848 presidential campaign. Swimming up "Salt River" and pulling the "Salt River Barge" is fox Martin van Buren. Seated in the barge are (left to right): Zachary Taylor, Taylor running mate Millard Fillmore, Henry Clay, Democratic vice presidential candidate William O. Butler, and presidential candidate Lewis Cass. Seated in the front of the boat and looking ahead through a spyglass, Taylor observes, "I say, Fillmore, I don't see anything ahead yonder that looks like the White House. The coast is very low & well adapted to Salt Works." Cass, at...
127.
Sub treasurers taking long steps, or The magician broke down - Robinson, Henry R., d. 1850.
Entered according to Act of Congress, in 1838 by H.R. Robinson, in the Clerk's Office of the District Court of the U.S. for the Southern District of N.Y. Printed & published by H.R. Robinson, 52 Cortlandt & 11 1/2 Wall St. N.Y.
128.
Whig harmony - Baillie, James S., fl. 1838-1855.; Bucholzer, H.
A severe split within the Whig ranks, between partisans of Henry Clay and those of Zachary Taylor, preceded the party's convention in June 1848. Here Horace Greeley, one of Clay's most influential northern supporters, tries to drive the party wagon downhill toward "Salt River" (a contemporary idiom for political doom). At the same time, a Brother Jonathan or Uncle Sam figure steers in the opposite direction, toward the White House. Greeley whips his horse, a scrawny nag with the head of Henry Clay, with a switch or small branch; the uphill-bound horse has Taylor's head, and its driver wields a...
129.
Patent balancing by an amateur - Baillie, James S., fl. 1838-1855.
New York "Tribune" editor Horace Greeley is ridiculed for vacillating between support of candidates Martin Van Buren and Zachary Taylor in the presidential election of 1848. Greeley balances precariously on a tightrope labeled "Mason & Dickson's Line," which is stretched across Salt River. He holds a balancing pole with a bust of Van Buren on one end and Zachary Taylor on the other. His foot rests upon a stool which in turn rests upon a loaf of "Bran Bread" (a well-known Greeley preference) poised on edge on the wire. He comments, "O crackee! it is as hard work for me...
130.
The "mustang" team - Currier, Nathaniel, 1813-1888.; Maurer, Ludwig Wilhelm, 1789-1878.
The abolitionist Republican presidential ticket and its supporters in the press are the targets of the cartoon. Candidate Fremont, wearing an emigrant's smock and carrying a cross (an allusion to his rumored Catholicism), is in the driver's seat of a wagon drawn by the "wooly nag" of abolitionism. On the nag's back sit (left to right): New York "Tribune" editor Horace Greeley, James Gordon Bennett of the "Herald," and Henry J. Raymond of the "New York Times." Holding onto the back of the wagon is "Courier & Enquirer" editor James Watson Webb. The wagon also carries Fremont's wife Jessie, who...
131.
Race between Bennett and Greely for the Post Office stakes - Clay, Edward Williams, 1799-1857.
A satire on the competition between rival editors Horace Greeley and James Gordon Bennett for New York post office printing contracts. The artist also comments on the circulation wars between Bennett's "New York Herald" and Greeley's relatively new paper the "Tribune, "and on latter's editorial support of abolition. Clay shows Greeley (at left) outdistanced by James Gordon Bennett, who rides a black steed with a pouch marked "Black Mail." The pouch may be a reference to some aspect of Bennett's scandal-mongering journalism or to accusations of extortion made against Bennett by British lecturer Silk Buckingham in 1843. Greeley wears his...
132.
Fanny Ellsler's last seranade or the soap-locks disgraceful attack upon the Germans - Robinson, Henry R., d. 1850.; Sarony, Napoleon, 1821-1896.
A riot scene: German parade musicians (possibly accompanying touring ballerina Fanny Elssler) are attacked and beaten with their own instruments by a gang of toughs (or "Soap-Locks" for the long, soaped hair locks fashionable among them) on a New York street. Onlookers watch from the windows of a nearby building. The cries of the assailants and their victims appear in the lower margin. They range from "Dam you I'll make you remember new years night," "Dam the Dutch!" and "This must be the fellow who shot Armstrong" (from the assailants) to "I am Murder'd" and "Fuerst, help! help!" (from the...
133.
Capability and availability - Currier, Nathaniel, 1813-1888.
Sharply critical of both the Democratic and Whig choice of presidential candidates in 1852, the artist laments the nomination of two soldiers, Winfield Scott (center) and Franklin Pierce (far right), in preference to several more "capable" statesmen who appear at left. The latter are (left to right): Samuel Houston, John J. Crittenden, Thomas Hart Benton, Millard Fillmore, John Bell, Lewis Cass, Stephen A. Douglas, and Daniel Webster. Most prominent in the group are Fillmore, Cass, and Webster, who also sought the presidential nomination in 1852. Fillmore: "I have sought more anxiously to do what was right; than what would please,...
134.
Harrison quadrilles - Unger, Ferdinand C.; Gimber's Lithography.; Samuel C. Jollie & Co.
An illustrated sheet music cover for a set of "popular airs" for the piano, dedicated by the publisher to "Whigs of the United States." A Whig campaign piece, the work eulogizes the supposed humble rusticity of presidential candidate William Henry Harrison. In an oval medallion flanked by American flags is a bust portrait of Harrison. Beneath it lie crossed olive branches and above, in a burst of light, stands an eagle holding a streamer that reads "The Hero of Tippecanoe." In the background are Harrison's log cabin with smoking chimney (on the left) and the United States Capitol (on the...
135.
Andrew resolute Uncle Sam's faithful teamster, taking the produce of the farms, to another storehouse; and giving Uncle Sam his, reasons for so doing - Williams, Michael.
The artist supports Andrew Jackson's decision to withdraw federal funds from the Bank of the United States and distribute them among various state banks. Henry Clay and Bank president Nicholas Biddle's efforts to oppose Jackson's measures are lampooned. Several figures look on and comment as a horse-drawn, covered wagon pulls away from a warehouse and adjacent United States Hotel. In the center below stand Andrew Jackson (holding a coachman's whip) and Uncle Sam. Jackson: "Why Uncle Sam I consider that Store House not safe. as I observe, a number of Rat-holes. and also, they keep a nest of gamblers in...
136.
A dialogue between two well known characters - Robinson, Henry R., d. 1850.
Entered according to Act of Congress in the year 1837, by H.R. Robinson, in the Clerk's Office of the District Court of the United States of the Southern District of New York. Printed & published by H.R. Robinson, 52 Cortlandt Street, New York.
137.
5 to one ha - Wiswell, William.
Another show of Northern optimism in the early months of the Lincoln administration. Uncle Sam approaches from the left holding a bayonet, causing five Southern soldiers to flee in panic to the right. In their haste to retreat the Confederates drop their flag, muskets, a hat, and a boot. A black child and two black men, one fiddling, watch with obvious glee from the background. Prominent in the center foreground are a mound marked "76" bearing an American flag and a crowing cock. In the background are the Capitol at Washington (left) and the palmetto trees of South Carolina (right).
138.
Scene in Uncle Sam's Senate. 17th April 1850 - Clay, Edward Williams, 1799-1857.
A somewhat tongue-in-cheek dramatization of the moment during the heated debate in the Senate over the admission of California as a free state when Mississippi senator Henry S. Foote drew a pistol on Thomas Hart Benton of Missouri. In the cartoon Benton (center) throws open his coat and defiantly states, "Get out of the way, and let the assassin fire! let the scoundrel use his weapon! I have no arm's! I did not come here to assassinate!" He is attended by two men, one of them North Carolina senator Willie P. Mangum (on the left). Foote, restrained from behind by...
140.
This log cabin was the first building erected on the North Bend . . . - French, John Taylor, 1822-1852.; Sinclair, Thomas S., ca. 1805-1881.
A Whig campaign print, showing William Henry Harrison greeting a wounded veteran before a log cabin by a river. The cabin flies an American flag with the words "Harrison & Tyler" and with a liberty cap on its staff. A coonskin is tacked to the side of the cabin, two barrels of hard cider stand by, and a farmer ploughs a field in the distance. The text below the image describes the scene: "This Log Cabin "was the first building erected on the North Bend of the beautiful Ohio River, with the barrel of cider outside and the door always...
121.
