Recursos de colección

RiuNet. Repositorio institucional de la Universitat de Valencia (99.709 recursos)

RiuNet es el Repositorio Institucional de la Universitat Politècnica de València, gestionado por la Biblioteca, cuyo objetivo es ofrecer acceso en Internet a la producción científica, académica y corporativa de la comunidad universitaria con la finalidad de aumentar su visibilidad y hacerla accesible y preservable.

Mostrando recursos 1 - 20 de 22

  1. UNFOLDING ARCHITECTURE. CUATRO ESTUDIOS DE CASO PARA UNA NUEVA PROPUESTA PEDAGOGICA DEL PROYECTO ARQUITECTÓNICO A PARTIR DE GEOMETRÍAS PLEGADAS GENERADAS POR MEDIOS DIGITALES Y TRADICIONALES

    Chiarella, Mauro; Redondo, Ernest
    [EN] The methodology proposed in this educational investigation is the case studies developed in three groups of students from different countries, who have had to work on similar projects using assisted design tools in combination with traditional techniques for models making. From the final results evaluation several statements can be affirmed: Ease and adaptability of this methodology to all students and countries whether they are digital native; integration advantages from the digital method and fast paper prototypes to avoid the continuity induced by the processes exclusively digitals and the inclusion of new methods for the generation and geometric control of...

  2. TRATADÍSTICA E IMAGEN ARQUITECTÓNICA EN EL SIGLO XVI EN VALENCIA

    Llopis Verdú, Jorge; Torres Barchino, Ana María
    [EN] The following article focuses on architecture books and graphic sources available during the 16th century in the Valencian architectural scene, in order to carry out an in-depth analysis of the compositional mechanisms available to Valencian architects of that period. The analysis covers not only the conceptual approach, but also the application of innovative graphic composition tools. To that purpose, notary registers and inventories of the main humanist libraries of the time, such as that of the Duke of Calabria or the Marquis of Cenete, have been analysed, as well as those of smaller libraries belonging to minor architects. Consequently,...

  3. SOBRE LA DOCENCIA GRÁFICA DE LA ARQUITECTURA. Entrevista a Rafael Manzano Martos, premio Driehaus 2010

    Gámiz Gordo, Antonio
    [EN] On the 27th of March 2010, Rafael Manzano Martos received the prestigious Richard H. Driehaus Prize for Classical Architecture of Notre Dame University in Indiana. Since 2003, the prize awards the excellence in architectural practice, promoting classical architecture and traditional urban planning. The prize recognized "his ability to apply classical ideals to local vernacular architecture; his capacity of combining numerous cultural influences in a final, firm product, full of identity; his respect for the past, and his legacy to the future." Among Jury members were Leon Krier, Inaugural Driehaus Prize Laureate; Paul Goldberger, Architecture Critic for The New Yorker;...

  4. SER Y DEVENIR EN LOS DIAGRAMAS. Huellas y protoformas como subtexto arquitectónico: de Deleuze a Eisenman

    Marcos, Carlos L.
    [EN] The use of diagrams as design tools has enriched recent architectural debate and has produced an alternative course for the process of ideation in architecture. However, diagrams and schemes are often confused with each other ignoring the constraints that the topological conceptualization of the latter entails. The paper attempts to examine the analytical and generative qualities of the diagrams using Eisenman¿s architecture and his theoretical discourse as a reference, while establishing the connections between his work and the philosophy of Deleuze. Half way between being and becoming diagrams differ from drawings or schemes operating as mediators between matter and...

  5. PROYECTAR EL CONTEXTO. SOBRE LA EVOLUCION RECIENTE DEL CONCEPTO DE REHABILITACIÓN EN ARQUITECTURA

    Bigas Vidal, Montserrat; Bravo Farré, Luis; Contepomi, Gustavo
    [EN] We analyze the evolution of the concept of rehabilitiation in architecture. We will part from the ideas of Ruskin and Viollet-Le-Duc, past the break catalyzed by the emergence of the Modern Movement, which introduces various organic interpretations in the second half of the twentieth century until, finally, a contemporary appreciation of the role of context in architecture takes place. We methodolologically exemplify this with particular EMBT (Miralles-Tagliabue) studio projects to establish that the architect, in this new approach, takes not only into account the building preexistences, but considers the ever transforming evolution of the global context (cultural, historical, physical,...

  6. MÉTODO INTERACTIVO PARA LA RESTITUCIÓN DE PERSPECTIVAS CÓNICAS SOBRE PANTALLA CILÍNDRICA, APLICADO AL 'DIORAMA' PARA LA EXPOSICIÓN 'LA NOVA BARCELONA' (1934) OBRA DEL GATEPAC

    Santana Roma, Galdric; Ávila Casademont, Genís
    [EN] Providing a new and simple interactive method that allows precise restitution conical perspectives on cylindrical screen through editing vector in "real time" of a pre-calculated grid. The method has been developed and implemented as a result of the request for re-exposing the restored "diorama" which was first introduced in 1934 for the exhibition "La Nova Barcelona" of GATEPAC on a cylindrical wall in the basement of "Plaça Catalunya" in Barcelona. The restitution has also allowed to check the dimensional geometric rigor used to fit the panorama drawing in question.

  7. LOS AUTOMATISMOS FORMALES EN LA ARQUITECTURA. REFLEXIONES CRÍTICAS

    Piquer Cases, juan Carlos
    [EN] Architecture as art within the science has evolved as the construction technology has made it. The morphology of unique buildings, in the last twenty years, is inexorably associated with the use of certain architectural design software, which has opened an important topic for reflection and debate. It is necessary to analyze and question about the new spaces that begin to take hape from the artificial intelligence of computer that are transforming architecture. This article aims to provide a series of reflections on this issue and open a debate necessary.

  8. LÍNEA, DIBUJO Y COMUNICACIÓN

    Salgado de la Rosa, María Asunción
    [EN] If classical definition of drawing is understood as the delineation of a model, and taking into account that drawing is the main architectural communication tool, according to this axiom, line is the language of architects. This language whose rules were fixed by classical geometry codes have evolved to the extent that drawing, more than a tool of representation, is now understood as a project¿s mechanism for analysis, development and genesis.

  9. LA TORRE DE PUERTO RICO, CAMPECHE. ESTUDIO DE UN CASO ÚNICO EN LA ARQUITECTURA MAYA

    Higón Calvet, José Luis; May Castillo, Manuel
    [EN] One of the most outstanding aspects of Mayan culture is its remarkable progress in the subject of astronomy. According to very recent research, astronomical knowledge of the Mayans can be confirmed on the inscriptions of sculptural monuments, codices and some buildings dedicated to this purpose. The cylindrical tower of Puerto Rico, Campeche, the only one of its type documented in the Yucatan peninsular, has been related with phenomena of astronomical commemoration. During the month of June 2010, a scientific expedition took place to the site with the aim of updating available information about the monument and carrying out preliminary...

  10. LA PERCEPCIÓN DEL ESPACIO EN LA VISUALIZACIÓN DE ARQUITECTURA MEDIANTE REALIDAD VIRTUAL INMERSIVA

    Hernández, Luis; Taibo, Javier; Seoane, Antonio; Jaspe, Alberto
    [EN] Immersive virtual reality constitutes a powerful tool for the vivid exploration of virtual spaces. The feeling of presence produced in the user by the action of seeing the digital space just pointing the view in any direction is greatly enhanced when adding the capability of walking physically during the experience. This paper describes aspects related with the experimentation of this hybrid space, real and virtual at the same time, that was implemented by the authors in an immersive virtual reality museum installation called ¿The Empty Museum¿.

  11. LA CARTOGRAFÍA ESPAÑOLA DE LAS COSTAS DE NORTEAMÉRICA DE LOS SIGLOS XVI AL XVIII: APORTACIONES AL CONTEXTO CIENTÍFICO INTERNACIONAL

    Chías Navarro, Pilar
    [EN] The main European naval powers showed a great interest about the recently discovered territories of North America, due to their strategic position in order to plan the future wars and settlements. Their cartographers drew a great amount of manuscript and printed maps and charts, whose features and accuracy varied depending on the particular targets and the technical advances that were applied to it. The present article aims to expose the Spanish scientific contributions to the international context, as well as to spread the Spanish maps and charts drawn along the 16th-18th Centuries. This part of our Cultural Heritage still...

  12. LA ARQUITECTURA DE LOS DIOSES. DIBUJANDO EN PAESTUM

    Báez Mezquita, Juan Manuel
    [EN] Notes about Greek Doric architecture taken by the experience acquired by drawing three temples in Paestum: the Basilica, Neptune and Ceres. Here you will find some of the drawings made in situ, with some comments about the architecture and the technique used.

  13. LA ACUARELA Y EL ARQUITECTO. Tres acuarelas de José María Manuel Cortina. Valencia 1868-1950

    Arnau Amo, Joaquín; Gutiérrez Mozo, Elia; Martínez Medina, Andrés
    El artículo describe y analiza tres acuarelas del arquitecto valenciano Manuel Cortina (1868-1950) tituladas Iglesia Parroquial, Casa de Recreo en una posesión de caza y Fuente Monumental. Anota, como antecedentes-consecuentes respectivos, los dibujos de E. E. Viollet-le-Duc, C. N. Ledoux y O. Wagner. Y discurre acerca de este procedimiento pictórico, transparente y distante, como emblema de un tiempo, la belle époque, y un estilo, la Sezession vienesa alrededor de 1900, con alusión a sus relaciones fotográficas, cinematográficas y oníricas.

  14. HACIA EL PROYECTO DIGITAL

    Agustín Hernández, Luis
    [EN] The objective is to establish a relationship between project design and designer will analyze the history, focusing on software design. Studying the BIM (Building Information Modeling), as a tool to design, that allows controlling and representing complex shapes, this will evolve the architectural form. It will analyze the connectivity of BIM technology, the development of implementation projects and the requirements of existing legislation, which involves simulating virtual buildings. The article draws conclusions on how to plan and control over the project.

  15. GEOMETRÍA Y PROPORCIÓN EN SAN FRANCISCO DE ORENSE

    Tarrio Carrodeagüas, Santiago B.
    Este artículo recoge una de las hipótesis desarrolladas en mi trabajo sobre las iglesias de losfrailes menores en Galicia, la geométrica, relacionada con las teorías de Moessel y el simbolismo medieval. En esta conjetura planteo el origen del modelo geométrico teórico que pudo intervenir en la definición del proyecto y posterior construcción de la iglesia franciscana deOrense. Descifrar los procedimientos y sistemas deproporción utilizados en la planificación y control formal del templo, definir y representar cuál pudo ser el trazado regulador utilizado las bases geométricas en las que se basó es el objetivo. En definitiva, se trata de descubrir, a...

  16. EXPRESIONISMO ARQUITECTÓNICO E IMAGINACIÓN

    Morán, Adolfo
    [EN] If, as said Aristotle, the imagination is the common sense acting, it is interesting to see how the modern Expressionism is a manifestation of feelings, as an imaginative explosion. However Expressionist architecture processes have more to do with the subjectivity of uncontrolled imagination, than with processes in which the imagination is controled voluntarily by the artist. Although all the rationalism implies a subjective character because its method is based on each thinker only accepting what appears to himself as something clear and distinct, the expressionist architecture is what better represent the subjetive concerns and the imaginary worlds of modern...

  17. EL DIBUJO Y LAS VIDAS DE LOS EDIFICIOS

    Ortega Vidal, Javier; Martínez Díaz, Ángel; Muñoz de Pablo, María José
    [EN] In the quandary and current debate on the implementation of new media in the documentation of Architecture, this article highlights the need to preserve the traditional values of the architectural drawing, proposing its nuclear role in the concept of Graphic Life as a place of integration of the new media and the old purposes for progressing in the knowledge and diffusion of the Architecture.

  18. EL DIBUJO DE LA INDETERMINACIÓN. PROGRAMA, ACONTECIMIENTO Y TIEMPO EN CEDRIC PRICE Y REM KOOLHAAS

    Jerez, Fernando
    [EN] This communication is part of a wider investigation in the context of my Phd, supplemented by a series of interviews with Peter Cook, Rem Koolhaas and Bernard Tschumi. It is also a continuation and development of the communication entitled ¿The drawing of Uncertainty: notations, diagrams, maps and 2.0¿ presented at the XIII International Congress of Architectural Graphic Expression in Valencia in 2010. This study shows for various reasons, first, specific investigations in the field of architectural drawings are rare in this area, second is the need to re-write this concept in light of the present moment to open and...

  19. EL CARMEN DE LA FUNDACIÓN RODRÍGUEZ-ACOSTA. UNA INDAGACIÓN GRÁFICA

    Rivas López, Esteban José
    [EN] The work attempts to reveal the complex process of architectural synthesis of the Carmen de la Fundación Rodríguez-Acosta. Working with the base of unpublished documents obtained in various archives, we aim to show how the events surrounding its origin really occurred, in a process which we may call graphic inquiry. When we approach the architecture of the Carmen Blanco, mainly through the analysis of drawings plotted by different architects who participated in its process of projection, we can most definitely say that the work was born principally from the hands of two architects: Modesto Cendoya Busquet and José Felipe...

  20. DIBUJAR EL PABELLÓN DE ESPAÑA PARA LA EXPOSICIÓN UNIVERSAL DE SHANGHAI 2010

    Gilabert Sanz, Salvador
    [EN] The Pavilion of Spain, has been a challenge at all levels: conceptual, realization, etc. The wicker baskets inspired geometry, oneform that is structure, space and facade. The geometric of the volume, was created from a grid of two families who faithfully follows this surface, from horizontal and vertical sections, to approach each one of them with straight and curved lines with default radios. The drawing method used, is able to create space from the linear elements of an easily buildable.

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