Recursos de colección

RiuNet. Repositorio institucional de la Universitat de Valencia (102.815 recursos)

RiuNet es el Repositorio Institucional de la Universitat Politècnica de València, gestionado por la Biblioteca, cuyo objetivo es ofrecer acceso en Internet a la producción científica, académica y corporativa de la comunidad universitaria con la finalidad de aumentar su visibilidad y hacerla accesible y preservable.

ANIAV - Revista de Investigación en Artes Visuales

Mostrando recursos 1 - 10 de 10

  1. Visualizando la ciudad glocal. Modelos y paradigmas de una relación creativa entre el dato y su representación en el entorno arquitectónico

    Mañas Carbonell, Moisés; Martínez Cuenca, Raquel
    [EN] Starting from understanding the city as a desire, as an exchange, as impossible cities, which ItaloCalvino pointed out in his text The Invisible Cities, and of the relation of aesthetization of the data in the contemporary city, through the eyes of Gilles Lipovetsky; This study intends to show a reflection on the relation of the data flow, its aesthetic and functional representations in the new technified architectural spaces that generate a new mediated glocal city. Reflect on the existing devices of mediation between the static of the architecture and the dynamism of the data and how this binomial, its...

  2. Santa María del Circo (Toscana, 1998) y Zócalo (Alÿs, 1999) como espacios de resignificación

    Flores Flores, Nallely Natali
    [EN] On this paper we develop a comparative approach between two art objects of different nature: first of them is film called Zócalo (Alÿs, 1999); and, second of them, is Santa María del Circo novel (Toscana, 1998). Comparison is possible due to these objecs contain some similar elements. On both of them, we find: these are transit spaces and these are ,also, symbolic registers, although novel is imaginary one and film is real one; irruption of characters on both spaces means perturbing; on both of them, we canuse semiosphere concept because they keep frontiers delimited ; and so on, more...

  3. Performances mínimas en el espacio urbano y colaboraciones a distancia. Propuestas de “Acciones Desapercibidas” como experiencia entre lo local y lo translocal

    Torrecilla Patiño, Elia; Molina Alarcón, Miguel
    [EN] In this communication we show the experience gained from participating in an international project and its implementation at the local level.Starting from research on issues that address the relationship between body, city and technology, we begin to experience in the urban space the practice of a series of minimum performances inscribed in the realm of everyday life.After the discovery of a proposal developed in Holland, we deepen the use of the city as a laboratory and stage where we carry out our Unapproved Actions; So we began a series of collaborations with the organizers of the Unnoticed Art Festival,...

  4. Paisajes expandidas entre Brasil y España: intervenciones fotográficas introducidas en el espacio público

    Santos Almeida Ribeiro, Maristela
    [EN] This article proposes a reflection about the methods of creation of the image from two artistic projects: the first one consists of a series of works developed in Feira de Santana and Salvador de Bahía, in the Northeast of Brazil; And the second in anotherseries that took place in the districts of Benimaclet and Cabanyal, based in Valencia, on the Mediterranean coast of Spain, during a Doctoral Stay at the School of Fine Arts of the Polytechnic University of Valencia. These two "places" - in Brazil and Spain - form important pillars so that results can be assumed, inferred...

  5. Inframedia: barreras infraestructurales y ecologías online en la Web 2.0

    Sánchez López, José
    [EN] Collective Intelligence and our notion of glocalposition depend closely on the large existing media available on the Internet (search engines, social media, wikis...). Its digital origin and its dependency on computer science allow them to take different forms with specific relation to software design. That stated, it is important to underscore this situation encompasses our limited knowledge and phenomenological contact with the infrastructure that supports them.This presentation works as a snapshot of an ongoing personal research about networks and visibility, whose main goal is to provide a theoretical context for the future development of a new media artistic project....

  6. Grupo Poéticas Digitais: Dialogo y Medio Ambiente

    Prado, Gilbertto
    [EN] The Poéticas Digitaisgroup was created in 2002 at the Visual Arts Department at Communication and Arts School at University of São Paulo as a multidisciplinary group to promote the development of experimental projects and a reflection on the impact of new technologies in the field of arts. The group is an unfolding of the wAwRwT project started by Gilbertto Prado in 1995 and its participants are artists, researchers and students, with vary in each project. The purpose of this paper is to present some recent projects developed by Gilbertto Prado and the Poéticas Digitais group related to the theme...

  7. Espacios de memoria virtual como laboratorios de investigación artística

    Veciana, Stella
    [EN] This paper makes a theoretical reflection on artistic methodologies in the generation of ‘online memory environments’, the influence of cultural codes and values of sustainability in these spaces and exposes in particular two cases of dynamic archives within the context of scientific conferences for sustainability and a public library as examples of two typologies of laboratories of artistic-scientific research: the a/synchronic and the virtual.The classic analogue archive passes from the museum space to databank networks based on dynamic memory to new hybrid environments of mixed realities. How does themodern archive model differentiate as the on-site library of database from...

  8. Ecología global, sensibilidades locales. El rol de las humanidades ambientales frente a la crisis ecosocial contemporánea

    Albelda Raga, José; Sgaramella, Chiara
    [EN] The interdisciplinary research project entitled Environmental humanities. Strategies for ecological empathy and the transition towards sustainable societies investigates the role of ethics, visual arts and literature in the transformation process needed toimplement more eco-compatible cultural models. The ecological and social crisis we face forces us to rethink ourselves as human beings and as a society. Despite the significant techno-scientific advances in the field of energy efficiency and ecosystem restoration, a change in our world view and collective imagination is necessary in order to balance the powerful cultural inertia that characterizes the current paradigm. In this sense, humanities can play...

  9. ¿Dónde está el ‘arte’ en la investigación artística?

    Vilar, Gerard
    [EN] Frequently, visiting artistic research exhibitions, or seeing 'exhibitions' in the Journal of Artistic Research, one ends up wondering where art is in those projects, since perhaps they could have been done by historians, anthropologists or communicologists and exhibited their results in a history or ethnology museum, or a cultural center whatever, rather than in an artistic center. No doubt, they are usually true research, but where is the art? A satisfactory answer to the problem of where art is in artistic research is to be find in the difference between an informative presentation or display and an authentic device...

  10. (a)topia(s). Una indagación artística sobre malestares deslocalizados y estrategias de invisibilidad

    Marín García, Teresa
    [EN] (a)topia(s) is proposed as an Art-Based Research. It is a process of inquiry that through the artistic practice tries to reflect on real forms of dislocated discomfort of the current society. We use the concept of atopia as a metaphor of a hypersensitive reaction,which arises as a (social or individual) response to various environmental stimuli that characterize the context of globalization. The atopic is a nonspecific place, changing and difficult to locate, but whose reactions are embodied in concrete and particular situations.(a)topia(s) began in 2006 as a graphic and textual journal that explored diffuse territories between documentary and fiction...

Aviso de cookies: Usamos cookies propias y de terceros para mejorar nuestros servicios, para análisis estadístico y para mostrarle publicidad. Si continua navegando consideramos que acepta su uso en los términos establecidos en la Política de cookies.